Tim and Eric Fan Art Tim and Eric Matching Shirts
F or almost two decades now, one-act duo Tim (Heidecker) and Eric (Wareheim) accept honed their absurdist and often gross sketch comedy. After a summer of touring and the contempo 10th ceremony special of The Awesome Prove, they've become the kings of out-there alternative comedy, by mode of mock infomercials, situational humor, and the occasional song-and-dance routine. The second flavour of Bedtime Stories, their mock-horror afterward-hours series on Adult Swim, returns this month to magnify the humdrum tropes of suburban American life, cementing the duo every bit 2 of comedy's almost amusing satirists.
You've been on tour most of the summer. What'southward information technology like to get dorsum out in front of crowds rather than doing Bedtime Stories?
EW: We're both musicians, and then it'due south kind of going back to our roots. In that location's no editing and, immediately, y'all have a finished production. When we make Bedtime Stories it'south months of training. But our show is a railroad train-wreck of a live experience. That'southward exciting for us after slaving abroad at Tv for so many years.
Your comedy is what you could comfortably describe every bit "out there". Are people still shocked by your live routines?
Thursday: When we would first tour and do festivals, information technology was hard. You were doing what you thought was funny and sometimes people would look at you like you're an idiot. Merely at present we're doing this for kids who were raised on our comedy. They're like, "I started watching you when I was 12 and I'm 22 now." Nosotros don't have to educate them about what we think is funny. So in some ways, it's non such a fight. They're also scared of us, so there's no heckling.
Why would they be scared of you?
Thursday: If someone opens their mouth I kickoff screaming at them. It's not an interactive evidence.
You two were classmates in college. When did you first realize you shared a similarly offbeat sense of sense of humor?
EW: Nosotros met in the dorm and our flooring was mostly basketball players, a lot of big guys. And there were nigh four of u.s. that looked a lilliputian different and had more of a rock'north'gyre, hippie vibe. I myself was more an emo, hardcore dude. And we but bonded out of desperation.
You both studied flick together. Did you have ambitions to become the next Bertolucci?
Thursday: We thought we were going to be serious filmmakers. Only everyone's work was only awful and hard to sentinel. It would but exist unbearable. Our stuff was nothing to write home nigh either.
EW: We both loved comedy, but nosotros also loved serious, dramatic things as well. And as whatsoever eighteen-year-quondam goes to college we rapidly realized, there'due south no way. So nosotros made these footling shorts. We've always been major self-promoters, even equally a joke. Nosotros called ourselves TimAndEric.com and put our little videos on our website earlier there was YouTube. The moment where it felt like we could so something bigger was when we were in the Philadelphia moving-picture show festival. [The pair'south blithe moving-picture show] Tom Goes to the Mayor played for a couple hundred people and they were laughing really hard. We were like, 'Oh shit, that's more than just our friends'.
In Bedtime Stories, yous stage these comic-horror scenarios in really mundane places. What have you lot got confronting piano shops?
EW: Nosotros love local shops and we love the thought of desperate working men, and dads having to exercise stuff for their families. All those themes are groovy. So nosotros love keeping things grounded in that reality. These piffling dingy locations are fun and they help give this overnice patina to the expect and vibe of the story.
Th: I grew up in a car dealership because my dad ran one. And in my head, in the script, it was a automobile dealership. You ever see these guys standing around bullshitting, there's nobody coming in. So it was a car dealership for a long time then once we started to prep, it was hard to find i and we've got to be there for a few days, so information technology became really impractical. And the pianoforte store is so much better, so much funnier, then much more grim, because, like, how many pianos do y'all sell everyday? Who comes in to buy a piano?
What was information technology like diving back into The Awesome show for the 10-year reunion?
EW: We tried to keep it exactly like the old days. We hired the same friends who helped us edit and create the show, we tried to bring back the same characters, we shot it almost on the same camera. We did learn a lot of production tricks over the final ten years, how to speed things upwards and keep things efficient. But I feel like we nailed the vibe. My favorite comment from the fans thus far is that it is a continuation rather than a reunion.
What practise y'all retrieve nigh the state of comedy in 2017? Do you lot guys actively resist the inclination to get make political satire?
TH: Patently our stuff is very influenced by the land of the world right now, but Eric and I from the commencement of our work together just by and large decline current events more than than anything because it always fades pretty quickly and other people were doing information technology better. That wasn't really where our common interests were. At the same time, I think our work has e'er been very political considering information technology's a reflection of the civilisation, and a satire of it. So we're not going on about what happened in the news this calendar week, just information technology's all there, the stupidity of consumerism, it'south all in the work.
- Tim and Eric'southward Bedtime Stories premieres on Adult Swim at midnight on 10 September
Source: https://www.theguardian.com/stage/2017/sep/08/absurdist-comedians-tim-and-eric-our-show-is-a-trainwreck-of-a-live-experience
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